Bleed

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“Art has a voice – let it speak.”
Rochelle Carr

In my opinion, the very heart of the creative process is and always will be a simple truth that lives in the art of self-expression. This is an art unto itself. It cannot be tamed or explained to others with ease. Especially to others who don’t understand or cannot interpret art very easily.

Abstract artists know this all too well. In non-representational art we find many models of expression, many concepts that are explored and some that seem so foreign to even be considered “artistic.”

We can find these forms of expression in most modern art galleries across the west. Everything from conceptual textile art to the placement of a pencil on a block of wood is considered artistic expression by someone or some group of collectors. And it is true. Whether or not we personally think of something as artistic, doesn’t make it inartful, or any less artistic whatsoever.

These are still, at their very essence, a pure form of self-expression by a person; a human being who has chosen to express in his or her own truthful way.

We must all understand that art is very subjective by nature. What I like or what my neighbor likes in terms of “art” is going to always be interpreted differently by different eyes.

This is a lesson that all artists must learn:

Not everyone is going to like your shit.

And this shouldn’t worry us. We must all bleed our true nature, and not worry about the spilled drops.

Just like all art collectors collect for specific reasons, we as artists all do it for our own different reasons. Some of us enjoy the planning and execution of the concept, whereas others simply like the random splatter of paint on the canvas, or wherever else it may land. We all have our own form of expression, and it is during this process where we create our truest works.

The above painting is a 24×30 abstract work of pattern and color that I made mostly using a two inch palette knife and heavy body acrylic paint. Up close the erratic texture is easily recognizable, and in this piece I was mostly concerned about creating a sense of comfort within a sense of confusion.

Mostly though, it was fun to make. And that’s all it really is about. Interpret it how you like.

I call it “Bleed.”

 

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Life in Contrast

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“What good is the warmth of summer, without the cold of winter to give it sweetness.” ― John Steinbeck, Travels with Charley: In Search of America

Contrast is part of life, and we truly live in a life of contrast. However, what appears to us as strikingly different, what appears to us as a simple juxtaposition of black and white are really two of the same. It is within the one shade that we can find two.

We should all explore the contrast as it applies to our lives. We artists use contrast to evoke distinction and clarity within a piece. We writers use contrast to shade the personality of a character against his peers, his struggles or in completion of his goal. Within one form, we can always find two, contrasted throughout time.

Contrast dances in unison with one purpose. This simplicity differentiates the part from the whole, though it is the whole that all parts emanate from. It is this specific part of the form that we emphasize in our own lives. Sometimes we emphasize the black, while other times, it is the white.

In life, we must recognize our own contrasts. We must become aware of both the subtle and the striking differences within our own consciousness and what we perceive around us.

It is through recognizing these true contrasts that live within us all that we can become whole. With this simple understanding we can come back to the center. The contrast will coalesce within and around us, becoming one.

It is dutiful of all artists, of all creative spirits to explore contrast, just as it is for all lives to accept and understand it. This is the divergence of self and of sight, of mind and of body.

We become our own contrast. We live through our variance of self and of mind only to one day return to the true form. To become one with this clashing of color, of shade and of emotion is to become one with the heart and the mind.

Color your work and your life with the awareness of contrast. Unfocus and watch as two forms become one.