Bleed

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“Art has a voice – let it speak.”
Rochelle Carr

In my opinion, the very heart of the creative process is and always will be a simple truth that lives in the art of self-expression. This is an art unto itself. It cannot be tamed or explained to others with ease. Especially to others who don’t understand or cannot interpret art very easily.

Abstract artists know this all too well. In non-representational art we find many models of expression, many concepts that are explored and some that seem so foreign to even be considered “artistic.”

We can find these forms of expression in most modern art galleries across the west. Everything from conceptual textile art to the placement of a pencil on a block of wood is considered artistic expression by someone or some group of collectors. And it is true. Whether or not we personally think of something as artistic, doesn’t make it inartful, or any less artistic whatsoever.

These are still, at their very essence, a pure form of self-expression by a person; a human being who has chosen to express in his or her own truthful way.

We must all understand that art is very subjective by nature. What I like or what my neighbor likes in terms of “art” is going to always be interpreted differently by different eyes.

This is a lesson that all artists must learn:

Not everyone is going to like your shit.

And this shouldn’t worry us. We must all bleed our true nature, and not worry about the spilled drops.

Just like all art collectors collect for specific reasons, we as artists all do it for our own different reasons. Some of us enjoy the planning and execution of the concept, whereas others simply like the random splatter of paint on the canvas, or wherever else it may land. We all have our own form of expression, and it is during this process where we create our truest works.

The above painting is a 24×30 abstract work of pattern and color that I made mostly using a two inch palette knife and heavy body acrylic paint. Up close the erratic texture is easily recognizable, and in this piece I was mostly concerned about creating a sense of comfort within a sense of confusion.

Mostly though, it was fun to make. And that’s all it really is about. Interpret it how you like.

I call it “Bleed.”

 

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A Process of Passion

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“If the path be beautiful, let us not ask where it leads.”
Anatole France

Being an artist is hard work. All artists know this to be true, and whether or not you’re actively selling your work, the process is at times a lengthy and complex one. But this process is fueled by passion, by the will to create, inspire and share with the world.

Personally for me, my art and writing work are both callings in life. I do it because I love it. I share it because I want to. And, yes, occasionally I do make a dollar or two at it. Though I’d love for this work to be my livelihood, at this point in time it doesn’t quite make the ends meet. But of course I am certainly hopeful and sure that in the near future it will..

In the meantime, I work a rather taxing schedule on a graveyard shift that leaves me little time during the day at all. I’m often tired and lethargic during my work-week and splitting your sleep schedule into 4 to 5 hour increments at a time is no easy task.

So, I have to make time during a tiny window of daylight and spend my days off writing and conjuring up ideas for painting.

This, however, is only one small part of the complex process of passion that I endure week after week. But, I love every minute of it.

The other night I finished a 30×40 acrylic piece which I’ve titled Dreamer’s Door as seen in the main image on this post. This was a process that I began around noon and finally finished close to midnight.

Below is just a part of the process that took around twelve hours to complete.

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The beginning. All things must start with a little color and a big idea. I’d already envisioned a piece with a geometrical center. In this piece I envisioned a rectangle for the impression of a door and left more light within the center of the canvas.

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Adding more light in the form of dark titanium and milk white. It may look patchy, but here we go…

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After adding a ridiculous amount of painter’s tape to frame out the door, the fun begins by playing with colors. In this case, ultramarine blue and light violet.

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And now.. We have a mess.. But it’s SO much fun! And really, as in my last post, there is a method to the madness here. Looking closely you might see the long strip of painter’s tape which is keeping a slightly off center strip of light color preserved for later manipulation.

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Now, after removing the center strip of tape and a little wash with water and a few splashes of Viridi, and a few streaks of orange.. The door is almost finished.

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And now there she is.. Dreamer’s Door. A process of passion that lasted a beautiful (and quite messy) twelve hours.

I enjoy these moments while creating art, as brief as they might be, no matter when or how they happen. It is part of a path that I have never truly known where it would take me, and it doesn’t matter because the journey has always been beautiful.

There is truly something magical and joyous in creating art, and I’m grateful for the ability to do so.

Thank you all for reading!

The Method

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“I have found both freedom and safety in my madness; the freedom of loneliness and the safety from being understood, for those who understand us enslave something in us.”
Kahlil Gibran, The Madman

A method exists in the madness, for anyone who expresses their creative heart. It’s easy to see in many works of art, this inner “thing” that won’t sit quietly and is never stilled. It comes alive on the canvas, speaking out to the world in its rumbling voice of pattern and color. The attuned artist knows how to use this force to his own bidding, to transfer his emotion into a breathable form.

In my opinion, this is the work and the goal of abstraction.

It’s easy to see the skill and the effort behind many great works of art. The impressionist paints the replica of life that he witnesses, whether this be in landscape or portrait. But the emotions behind these works aren’t as visible as we find in the world of abstract art.

But we must not simply look at it, we must feel it.

We may see a beautifully painted scene of wildflowers upon meadows, near mountains placed near a running stream. This image may move us, make us think, make us feel alive, peaceful, happy and content, but… What about the artist during his time of labor?

Was he at peace?

Was he saddened?

Was he working through a problem in his head?

How could we know?

For example:

My most recent piece shown above I’ve titled “Autumn Rain Formula.” My emotional state is sound and precise, free and alive, happy in the moment, remembering the time of seasonal change as a child and how that first breeze of cool air brought the first amber colored leaf falling from the sky that I’d ever seen.

The rhythm of color and line begs the presence of an archaic language, spoken only by nature and witnessed only by pure eyes.

It is the music of the Earth, dancing in unison with its elements.

This is the work that I love, coming from a place that I’ve always known as home.

But then, all artists have an inner home, that special place where their “thing” exists.

For me, my artistry comes from a primordial place. The ethereal tone projected is part of who I am, my personal philosophy and in tune with feelings that I cannot help but to express. This is the way of being free of form, free to express intimate feelings, thoughts and desires.

But all art is subjective by nature.

Perhaps it’s easier to explain understanding art simply as how a child understands the changing of seasons; Naturally, in perfect timing with life.